
In 1996 I was working in a project writing articles for a paper. Through the project I got to know a woman quite well. When she heard I was a musician she told me her husband Hasse worked with handicapped people playing music. I got very interested when she told me he was looking for a companion. I contacted him and the next day I took my guitar and paid a visit to the place where the group rehearsed.
This was the first time I got in closer contact with mentally retarded people so I did not know really what to expect. But they were very friendly and very curious about me and at the same time they were very eager to explain what they were doing.
Mentally retarded people often have difficulties to read and write. In many cases they are able to do it well but then they have to do it at their own pace. Their problem is that in this modern world obsessed with effectivity we have no place for anyone that needs a little more time to do things.
Having difficulties reading poses quite a problem in the world of music too, because you often need to know which notes and chords are next in line in a song. This means you have to read notes quite fast and also you have to have the ability to make the connection between what you read with your eyes with the sounds you hear with your ears. Then you have to compute this information and figure out what your hands have to do to make the right notes come out from your instrument - and the timing is crucial! It may sound a little complicated I know, but I can promise you it is way more complicated than it sounds!
What I found out was that they had overcome this big problem in the most amazing way. They were using colours. They had painted their instruments in different colours for different notes or chords so they knew exactly where to put their fingers to make the notes come out right. Instead of using the name 'C' for a chord they called it 'red'. Instead of the name 'F' they called it 'green' and so on.
Instead of having to read the notes from a sheet of paper they used a lamp displaying different colours. The lamp was controlled by a person using pedals. For each pedal there was a colour and a corresponding note. A really brilliant system! The only disadvantage is you can only have so many colours. Otherwise it is too confusing. This means you are limited in your choice of songs you are going to play because of the lack of chords. But then - if you are a little musical you know for a fact that - almost every popular song only consists of only three or four chords! So it depends on which way you see it if it is a disadvantage or not to be limited to play only the big hitsongs!
Since that day in 1996, when I met Kaggens Orchestra I have been working with them as a helper and Hasse and me take turns controlling the tonelamp - as we call it - at the same time as we play our instruments.
During these years Kaggens Orchestra has toured in Europe, has made three CD's and has had several hits on the local radio-toplist Värmlandstoppen. Kaggens have been mentioned in 'Svensktoppen'. We have had the swedish royal family as our audience. We have played for the prime minister of Sweden and in 2004 we were honored with the Fröding cultureprize.
I think you understand that meeting these people changed my universe. It wasn't only the system using musical colours but their whole attitude towards music and life and everything. It made me see that every person has a lot to say. We only have to find the right way to communicate. Music is truly a universal language that breaks down barriers.